Arrangements by Michael Lorimer
Arranged by Scott Kritzer & Janet Chvatal
My first ‘loves’ repertoire for classical guitar.
Classical Guitar Immersion is 10 month program that culminates in a 6 day workshop held each June at the Mt. Angel Abbey (located 1 hour south of Portland, Oregon). The purpose of CGI is to help the amateur or professional player overcome the effects of performance anxiety through the application of professional level work and concepts developed I’ve developed in over 40 years of touring and recording.
Over the past two years CGI has focused first on Advanced Technique and then integrating those skills into last year’s subject; Breaking the Musical Code. Mastering the Stage is the natural fruition of these and new skills that will give players professional level tools on how to manage the unexpected that is bound to happen on stage. Learning how to anticipate and recover seamlessly from mistakes goes a long way to combating performance anxiety.
Mt. Angel Abbey located in Mt. Angel, Oregon. This ideal location provides private and modern accommodations, modern classrooms and dining facilities, all located in the Guesthouse, and an auditorium for our formal performances located in the renowned Aalto library.
Mt. Angel Abbey is great retreat to absorb information and to immerse yourself in a disciplined art like the classical guitar. A Coffee Shop and Bakery as well as one of Oregon’s best breweries provide some distractions – but there’s always a time and place for some extra practice.
Students arrive at CGI prepared to put the finishing touches on their solo repertoire. Morning and afternoon masterclasses taught by me are followed by an evening technique workshop.
I’ll be leading a workshop on building speed in scales, arpeggios, studies and repertoire excerpts.
The following schedule is subject to change.
The cost for CGI is $2495. This includes meals, lodging, attendance for all masterclasses, workshops, rehearsals and performances. The fee also includes eight workshops that I’ll be holding from the fall through the spring.
The cost for CGI is $2495. This includes meals, lodging, attendance for all masterclasses, workshops, rehearsals and performances. The fee also includes eight workshops that I’ll be holding from the fall through the spring.
All participants should be able to play up to 3 works from memory and all skill levels are welcome. Participants will need to also attend the monthly workshops. If you’re not currently a student of Mario Diaz or myself, a meeting either in person or via Zoom will be required.
First off, thanks for the great response to my SKStudio Private Lesson openings. CURRENTLY ALL SPOTS ARE TAKEN….but, I anticipate opening a handful more in September 2023 so if you’re interested join my waitlist. And I’m making a one time offer that is hard to beat. (Beginners to professional players welcome)
Sign up for my Private Lesson Waitlist and you’ll get a no-obligation lesson. I’ll give you my suggestions on technique, repertoire choice or how to organize your practice. And you’ll have first access to any new lesson openings.
With your Waitlist spot you’ll also have access to my proven method Primary Skills Development. Primary Skills has been tested in University programs, by absolute beginners and professional players alike. All to a resounding success! And you’ll gain access before it’s released to the public.
The cost is for only $19.99 per month. But I’m going to make that even sweeter….
Tech Talk with Scott will explore the foundation for a solid technique for the classical guitarist. Subjects will focus around proper positioning, efficient movements and technical exercises that can aid in a more relaxed, more efficient way of playing resulting in better accuracy and faster playing.
So what’s your next step? Sign up for your Free no-obligation assessment. If you choose to join my Waitlist you’ll have access to:
And for $19.99 per month access to:
The Kritzer Studio is a learning organization where shared experience often creates new concepts for learning the classical guitar. As a teacher/performer I’m always looking to learn new things and it’s mine and my student’s needs and development that gives me insight into more effective concepts for learning.
“Taking lessons from Scott is very much like being a graduate student in a professor’s lab. He embodies the philosophy that a musician should be simultaneously a performer, a teacher, and a student.” Tom P.
Often it’s in lessons where the birth of a new learning concept, or even it’s clarification takes place. I call these bits of information Lesson Insights.
I am making these monthly Lesson Excerpts videos available to private students in the Kritzer Studio, or those on the Kritzer Studio Wait List.
In addition Private Students will gett:
“Scott’s curriculum is comprehensive and our biweekly private lessons are focused on how to improve my technique using his vast knowledge and experiences. Personable, persuasive and with a great sense of humor Scott works with me towards our common goals…interpretation, expression, and enjoyment.” Michael Faloon
Anyone considering lessons can contact me at email and we’ll set up an introductory meeting. At this meeting I’ll assess your technique and general playing and offer suggestions for improvement. I’ll also outline what studying would encompass.
I am comfortable working with beginner through professional players. For more information go to my Private Instruction page.
“Finally a Method who shows you the “why” and the “how”! The “DNA of Movement” when you play guitar. I have never seen something like this in my 20 years of experience as a professional classical guitarist and instructor. My right hand has become more relaxed and faster scales and arpeggios are not a problem anymore, even on stage! Thank you Scott!“ Nicolas Kyriako
Classical Guitar and Voice Christmas features soprano Janet Chvatal and myself on guitar (Chvatal/Kritzer Duo). The album pairs some of the world’s most popular, cherished melodies with non-traditional classical arias featuring subtle, uncommon spins within the Duo’s arrangements to create the perfect, enchanting mood for the season.
In addition Canadian composer and arranger Glenn Morley has arranged a number of works for this recording for Duo with orchestra including his haunting Huron Carol, a traditional Canadian Christmas Carol from the 1600’s.
Download Classical Guitar & Voice Christmas.
And don’t forget to add Classical Guitar Christmas II to your holiday collection!.
]]>My segment will be filled with works from my upcoming release Classical Guitar Treasures from the Baroque, arrangements by Michael Lorimer. And I’ll have a special announcement!
]]>To mark the recent release of Classical Guitar Treasures from the Baroque I’ll be offering a ZOOM chat (Saturday, November 5th at 1 pm Pacific Time) for guitarists and baroque enthusiasts on the baroque style in music. Register in advance at https://us02web.zoom.us/meeting/register/tZcrceuurz0uHdOoLokkFg1qNscYfX15SeIg
Register now to reserve your spot!
]]>Fans who Pre Save my upcoming album Classical Guitar Treasures from the Baroque can join me for my ZOOM chat on “Creating Treasures” on Saturday, November 5, at 1:00 PM PDT. We’ll talk about performing in the Baroque style, ornamentation and all things guitar. Q&A included.
You’ll get a ZOOM registration invitation by the end of October. To be eligible register below before October 21st!
]]>This album features two multi-movement suites from the varied styles of lutenist Silvius Leopold Weiss (Sonata #34 in E minor) and J.S. Bach’s Cello Suite No 1, BWV 1007 – both updated arrangements.
In addition, the album is anchored by four tombeaux (a musical eulogy) written on the death of the unfortunate Mr. Blancrocher, a lutenist who fell down a flight of stairs at a party attended by all four composers represented on this recording. Each composer’s eulogy is titled Tombeau pour Mr. Blanchrocher.
Two of the Tombeaux were written by harpsichordists Johann Jakob Froberger and Louis Couperin. These are masterful arrangements that evoke the highly ornamental and complex French Baroque style. These works contain musical phrases depicting Mr. Blanchrocher’s descent down the stairs (or to his eternal resting place?) as well as bells tolling. The other two tombeaux are by lutenists François Dufault and Denis Gaultier – lighter in texture they exude a profoundly mournful and plaintive tribute to Mr. Blanchrocher.
Rounding out the album are three new arrangements, Domenico Scarlatti’s K213, originally for harpsichord, and Prelude and Fugue, BWV 539a, 1000, 1001), originally written for organ. Bach paired his new work, the Prelude, with an arrangement of his famous ‘fiddle’ fugue. Lorimer arranged the Prelude from the organ and the Fugue mostly from the Fugue from Bach’s Second Violin Sonata. The result is a fantastic pairing and inventive articulation in the guitar part, especially in the Fugue.
The creation of Treasures comes from my decades long passion of baroque music. My teacher Michael Lorimer, baroque and classical guitarist and protege of Andres Segovia, arranged all the works on this recording. His impeccable insight into the baroque style is seamlessly interwoven with the classical guitar, resulting in performances that sound like they were originally written for guitar.
* new arrangement, first recording
** updated arrangement
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]]>Follow me on Spotify here. Also follow my Spotify Scott Kritzer’s Influential Performances Playlist -I’ll be adding works from Treasures.